First Artistic Approach

mesura, resources: First Artistic Approach (Fig. 3) — (Fig. 3)
Joan Miró, azul 1, 1961

mesura, resources: First Artistic Approach (Fig. 4) — (Fig. 4)
Joan Miró, azul 2, 1961

mesura, resources: First Artistic Approach (Fig. 5) — (Fig. 5)
ŒUVRE, 1956 Monochrome bleu sans titre, Yves Klein

mesura, resources: First Artistic Approach (Fig. 6) — (Fig. 6)
PUBLICATION, 1974 Yves Klein le Monochrome, Yves Klein

mesura, resources: First Artistic Approach (Fig. 7) — (Fig. 7)
ŒUVRE, 1961 Suaire de Mondo Cane, Yves Klein

mesura, resources: First Artistic Approach (Fig. 8) — (Fig. 8)
PHOTO, 1960 Yves Klein carrying out Anthropometry in his workshop

(Fig. 1)

Cosmogonie pluie (COS 22), 1961, Yves Klein

(Fig. 2)

Capilla Scrovegni, Padua, 1300

(Fig. 3)

Joan Miró, azul 1, 1961

(Fig. 4)

Joan Miró, azul 2, 1961

(Fig. 5)

ŒUVRE, 1956 Monochrome bleu sans titre, Yves Klein

(Fig. 6)

PUBLICATION, 1974 Yves Klein le Monochrome, Yves Klein

(Fig. 7)

ŒUVRE, 1961 Suaire de Mondo Cane, Yves Klein

(Fig. 8)

PHOTO, 1960 Yves Klein carrying out Anthropometry in his workshop

Around 1700, “Prussian Blue”, considered the first artificial pigment, was created. In these explorations, we go on an artistic tour alongside Edouard Adam, who helped Yves Klein discover the formula for his dazzling blue. Where are the limits of color? From abstract expressionism and its infinite lines to the vastness of the horizon, the starry sky of Padua, or the reflection on the sea. An immense body of water: Aiguablava. This research is part of an ongoing project.