Reciprocal Figures

mesura, resources: Reciprocal Figures (Fig. 3) — (Fig. 3)
Dennis Oppenheim, Transfer, Drawing, 1971

mesura, resources: Reciprocal Figures (Fig. 4) — (Fig. 4)
Marina Abramović & Ulay – Rest Energy, 1980, performance for video, 4 minutes, ROSC’ 80, Dublin 1980

mesura, resources: Reciprocal Figures (Fig. 5) — (Fig. 5)
Energy Ecstasy and Your Seven Vital Chakras, Bernard Gunther (North Hollywood, Newcastle Publishing Co., 1983)

mesura, resources: Reciprocal Figures (Fig. 6) — (Fig. 6)
Giovanni Battista Nolli, Nuova Pianta di Roma, 1748

mesura, resources: Reciprocal Figures (Fig. 7) — (Fig. 7)
Allen Wexler, Absurd Thinking, Between Art and Design

mesura, resources: Reciprocal Figures (Fig. 8) — (Fig. 8)
Lost Wax Casting, A rubber mold of the original wax model of an apple and its cast, in this case from plaster.

mesura, resources: Reciprocal Figures (Fig. 9) — (Fig. 9)
Mold, unknown source

mesura, resources: Reciprocal Figures (Fig. 10) — (Fig. 10)
Rachel Whiteread, Ghost, 1990

mesura, resources: Reciprocal Figures (Fig. 11) — (Fig. 11)
Maclas 3 , Apertura Lenta,1958-72 Jorge Oteiza

mesura, resources: Reciprocal Figures (Fig. 12) — (Fig. 12)
The Douglas Vase, the embrace of wood, François Azambourg

mesura, resources: Reciprocal Figures (Fig. 13) — (Fig. 13)
Bruder Klaus Field Chapel, Drawing - Section, 2007, Peter Zumthor

mesura, resources: Reciprocal Figures (Fig. 14) — (Fig. 14)
Bruder Klaus Field Chapel, Interior, 2007, Peter Zumthor

(Fig. 1)

Frank Lloyd Wright explaining a project with his hands

(Fig. 2)

A concrete figure goes abstract in space, Kandinsky

(Fig. 3)

Dennis Oppenheim, Transfer, Drawing, 1971

(Fig. 4)

Marina Abramović & Ulay – Rest Energy, 1980, performance for video, 4 minutes, ROSC’ 80, Dublin 1980

(Fig. 5)

Energy Ecstasy and Your Seven Vital Chakras, Bernard Gunther (North Hollywood, Newcastle Publishing Co., 1983)

(Fig. 6)

Giovanni Battista Nolli, Nuova Pianta di Roma, 1748

(Fig. 7)

Allen Wexler, Absurd Thinking, Between Art and Design

(Fig. 8)

Lost Wax Casting, A rubber mold of the original wax model of an apple and its cast, in this case from plaster.

(Fig. 9)

Mold, unknown source

(Fig. 10)

Rachel Whiteread, Ghost, 1990

(Fig. 11)

Maclas 3 , Apertura Lenta,1958-72 Jorge Oteiza

(Fig. 12)

The Douglas Vase, the embrace of wood, François Azambourg

(Fig. 13)

Bruder Klaus Field Chapel, Drawing - Section, 2007, Peter Zumthor

(Fig. 14)

Bruder Klaus Field Chapel, Interior, 2007, Peter Zumthor

(Fig. 15)

Tezontle, founded by Mexican architects Carlos H. Matos and Lucas Cantú, was chosen by the curators of the Wifredo Lam Contemporary Art Center, in Cuba, to be part of the artists who participated in the thirteenth edition of the Havana Biennial in 2019. Tenaza was the result of this invitation.

(Fig. 16)

Tezontle, La Habana, 2019

Examining the dynamic relationships between pairs—be it individuals, entities, objects, or architectural forms. The interplay of connection, contrast, and interdependence that defines these relationships, revealing how one element influences and is influenced by the other. From the dialogue between two people to the structural balance of buildings in harmony with their surroundings. This research is part of the Atelier LC project.

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Reciprocal Figures

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